Aesthetic travel photo prompt

Turn the uploaded image into an independent luxury art poster. Do not combine it with any images or landscapes other than the original photograph.
Aim for a result that preserves the memory of the photograph as if it were an observational record or cultural archive collected during a journey.
Format: vertical 3:4. 
Place the original photograph in the upper section, and below it place a reference page that analyzes and reconstructs that photograph.Use an approximate composition ratio of 4 for the upper section to 6 for the lower section, but adjust it naturally according to the subject and composition of the original photograph. Make the boundary between the upper and lower sections clear, and use sufficient negative space and a well-organized grid.

【UPPER SECTION: PHOTOGRAPH】
Use the original photograph faithfully in the upper section.
Preserve the subject, people, terrain, architecture, plants, roads, objects, textures, light and shadow, colors, spatial relationships, and perspective. Do not distort, move, remove, or add any major elements.

If there are signs or text in the photograph, do not rewrite them unnaturally.
Processing should be limited to delicate color grading, like a work in an architectural magazine or photography exhibition, and only a very subtle film grain. To adapt the image to the vertical composition, the sky, ground, plants, and surrounding environment may be naturally extended if necessary, but do not distort the main subject.

【LOWER SECTION: VISUAL FIELD NOTES】
In the lower section, use warm ivory paper as the background and reconstruct the same photograph in the style of “field notes + archival materials + silkscreen + blueprint.”
Do not reduce it to simple geometric illustrations or flat tracing. Extract distinctive elements that can be identified from the photograph.
These may include not only architecture, but also terrain, plants, streetscapes, roads, level changes, vehicles, furniture, tools, human movement, region-specific decorations, materials, patterns, and other visible elements.
Combine partially preserved photographic textures, photomechanical printing, photogrammetry, pencil sketches, silkscreen printing, translucent color fields, overlapping rectangles, thin drafting lines, grids, reference lines, leader lines, registration marks, section symbols, subtle shading, and distressed textures.
At the bottom edge, create a lingering effect in which pale vertical fragments, thin lines, and traces of drafting gradually dissolve downward.

【LOWER SECTION LAYOUT】

Use a precise editorial grid in the lower section, structured into an upper row, central area, and lower row.

 UPPER LEFT: TITLE AND NUMBER
Place a 1–3 word English title representing the location or subject of the photograph in the upper-left area of the lower section.
Use delicate, elegant uppercase serif lettering with wide letter spacing. If a place name or title has been specified, use that exact text and do not change it to another name.
Directly below the title, place a small number in the format “No. 01.”
The number itself may be arbitrary. If the user has specified a number, use that exact number. If multiple posters are being generated consecutively within the same conversation, check the numbers already used and increase the immediately preceding number by 1 to create a consecutive sequence. If the poster is generated independently or previous numbers cannot be confirmed, “No. 01” is acceptable.
Always use two digits for the number. Examples: No. 01, No. 02, No. 03.

UPPER RIGHT: YEAR
Place a small four-digit year indicating the year the photograph was taken in the upper-right area of the lower section.
If the year the photograph was taken can be confirmed from the photo metadata, filename, information visible in the photograph, description provided by the user, or similar sources, use that year.
If the year the photograph was taken cannot be clearly determined, use “2026.” Do not use the age of a building or the apparent age of the subject as the year the photograph was taken. Do not guess an unsupported year based only on appearance.
Align the title, number, and year along clean horizontal lines and the grid.

CENTER LEFT: DESCRIPTION / INFORMATION FIELD
From beneath the title toward the center-left area, place a short English description of the photograph and an organized information field.
The description should be a concise passage of approximately 2–5 lines explaining the subject visible in the photograph, the atmosphere of the location, structure, natural environment, and similar characteristics.
Below it, arrange vertically the categories that are appropriate for the content of the photograph.
Examples:
SUBJECT / LOCATION / CATEGORY / ENVIRONMENT / MATERIAL
STRUCTURE / LANDSCAPE / VEGETATION  / FUNCTION / CONDITION
OBSERVATION

You do not need to use every category. Select only those appropriate for the photograph. Do not invent place names, dates, dimensions, history, designers, materials, functions, or other information that cannot be confirmed from the photograph or the user’s instructions. If an item is unknown, do not force it into the design; omit it.

CENTER: MAIN VISUAL
In the center of the lower section, reconstruct the main subject of the original photograph at a large scale.
Preserve the composition, contours, depth, and spatial relationships of the original photograph while creating an expression that appears to layer photomechanical printing, photogrammetry, silkscreen, pencil drawing, and blueprint techniques.
Retain realistic photographic texture on parts of the subject, and around it overlay thin grids, auxiliary lines, reference lines, visual elements resembling dimension lines, translucent rectangles, and pale color fields.
Make the central main visual the visual focal point of the entire lower section and place it larger than the description field on the left and the annotation field on the right.

CENTER RIGHT: ANNOTATIONS / OBSERVATION POINTS

On the right side of the central area of the lower section, place short English labels describing features visible in the original photograph.
Use thin leader lines to connect the labels to actual corresponding elements in the central main visual.
Annotations may describe the subject’s shape, structure, materials, vegetation, terrain, circulation, color, distinctive parts, and similar features.
Examples:
MAIN STRUCTURE / ROOF FORM / STONE BASE / GARDEN PATH
TROPICAL PLANTING / MOUNTAIN RIDGE / STREET EDGE
TIMBER FRAME  / PRIMARY COLOR / OPEN-AIR SPACE

Do not include elements that are not present in the photograph. Limit annotations to approximately 3–6 items and do not make them lengthy.

LOWER LEFT: SURROUNDING INFORMATION
In the lower-left area, place one small diagram appropriate to the content of the photograph, such as a spatial relationship diagram, surrounding environment diagram, route diagram, topographic diagram, vegetation diagram, or site layout diagram. Instead, create a conceptual layout diagram using only elements visible in the photograph.

LOWER ROW: DIAGRAMS / REFERENCE DRAWINGS
In the lowest row of the lower section, horizontally align 3–5 small diagrams extracted from the same photograph. Select only diagrams appropriate to the content of the photograph.
・Architecture or streetscapes
Site plan, floor plan, front view, elevation, section, structural detail
・Nature or landscapes
Topographic diagram, vegetation diagram, section, ridge-line diagram, environmental sketch
・Vehicles or tools
Side view, front view, structural diagram, parts diagram, exploded view
・Travel or everyday-life scenes
Route diagram, spatial relationship diagram, movement diagram, observation sketch
・Plants or food
Morphology diagram, section, parts diagram, specimen-record-style plate
lace a short English label above or below each diagram.
Examples:
SITE PLAN /  FRONT VIEW  / SIDE VIEW / SECTION / ROOF DETAIL
LANDSCAPE SECTION / PLANTING STUDY / MOVEMENT STUDY
OBJECT DETAIL / SPATIAL CONTEXT
Do not include all of them uniformly. 
Small orientation symbols, tick marks, scale bars, and drawing numbers may be added if necessary, but if the actual scale or dimensions are unknown, do not invent specific numerical values.
In the location map, show the outline of the country or region, a small point indicating the shooting location, place names, and similar information in a concise style resembling an old travel map or field notes. If the user has not provided a travel route, do not add a fictional route.

【TEXT RULES】
Make the main title, number, year, major headings, and diagram labels clearly readable and correctly spelled.
For all text other than the main title, use a small, delicate serif typeface or drafting-style typeface.
Do not add meaningless strings, unreadable pseudo-text, Lorem ipsum, fictional descriptions, unnecessary text, signatures, brand logos, or watermarks.
Create a sense of rich information without overcrowding the text, and leave sufficient negative space.

【COLOR PALETTE】
Extract the color palette from the original photograph.
Focus on deep green, blue-green, olive, sage, charcoal, and earth tones. If there is a distinctive color in the photograph, retain that color as an accent in only one area.
Do not use too many colors. Create a subdued texture reminiscent of paper, ink, pencil, and old printed materials.

Avoid simple mountain logos, bland flat illustrations, generic landscapes, child-oriented visuals, excessive 3D, cyber aesthetics, flashy gradients, cheap template-like design, excessive decoration, and buildings or landscapes that do not exist in the original photograph.